《一带经典》系列之十三

作者: 深圳交响乐团 , 发布日期:1970-01-01, 浏览:105
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法国作曲家莫里斯·拉威尔的《鹅妈妈》组曲,富有19世纪法国“印象派”音乐风格的内在气质,作品以其童话般的艺术色彩、温暖和煦的音乐曲调、变幻莫测的节奏,而深受大众的喜爱。

德国作曲家罗伯特•舒曼身上渗透着诗人的气质,带有强烈浪漫主义的艺术情怀,他的“春天交响曲”既有德奥传统古典交响曲的严谨细致,又萌发出生动的浪漫派音乐作品创作风格的艺术端倪……

来自新加坡交响乐团的几位独奏家是这场音乐会上的一大亮点,几十年的共事工作,让他们之间早已形成了不言而喻的深度互信和绝对默契,克鲁塞尔《降B大调单簧管、圆号、巴松管交响协奏曲》这首不同寻常的三重器乐协奏曲,是一部尘封多年的“压箱底”之作,经由巴松管演奏家张晋民所发掘,相信应该是值得我们大家的翘首以盼……

 

Maurice Ravel’s Mother Goose Suite, full with 19th Century of impressionism, themagical flourish of childhood fantasies, a luxurious warmth tunes and fluctuate rhythms are popular among audiences. 

chumann has the aura of poet, brings the strong romanticism of artistic eminent, his Spring Symphony owns the rigorous andcompact of German-Austrian traditions but also developed out the music style from Romantic era……

 

One of the highlights is the soloists from Singapore Symphony Orchestra, working together more than ten years, tacit and trust have been formed between them long time ago, an ordinary triple concerto by Crusell for clarinet, horn and bassoon, is the hidden treasure work for years which suggested by bassoonist Zhang Jinmin, is worth to listen it.

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